Creation of my Custom Dream Guitar (Part 4, the Final Installment: The Spec Sheet)
This is the final part of a 4-part blog. Read the previous 3 posts here: An Update On My New Suhr Lefty Modern Guitar, My All-Time Favorite Custom Suhr Modern and The Custom Guitar Decision Making Journey.
There will be 1 more post with pictures when I receive this new guitar. (Scheduled for January 2014)
Trans Blue Bleach
Years ago, spending some time on the Suhr forums, I had a “Wow-moment when I saw a picture of this guitar. It was love at first sight.
This is the Suhr guitar that made me fall in love with what Suhr calls “Trans Blue Bleach”.
I made the mistake when I ordered the Suhr I currently play (which you saw a picture of in Part 1 of this journal), of trying to describe little modifications and color nuances that I wanted differently than the color on the photo here depicted.
In hindsight, my current guitar looks a little darker and less lively than I would like.
I should have just asked them to make it exactly as in this photo.
I made it a point to ask for exactly the same color like on this picture for my new Suhr.
Burl Maple Top.
Before I had seen this photo on the Suhr forums, I had never heard of Burle Maple before.
I instantly fell in love with this the moment I saw it. I just knew my new guitar had to have a burl maple top.
I can’t wait to see how this is going to look like with Trans Blue Bleech finish and gold hardware.
Wish me luck haha. 🙂
The Pick Up Decisions Struggle
In the previous installment of this custom guitar creation journal, I talked at great length about all the pickup and wiring decisions and how tough these decisions had been.
This guitar was the reason why it took me forever to make up my mind between gold-covered hh or hsh.
I usually would always go for musicianship, content, and versatility overlook.
In this particular case though: this guitar (to me) looks so unbelievably beautiful, that for a while I strongly considered giving up on a single-coil in favor of having this amazing gold hardware with gold plated humbuckers look.
But as you already knew from previous installments in this custom guitar creation journal: I eventually found a way to have both the sonic versatility and the looks. (hsh with gold magnet poles and pick up screws)
In my quest to figure out what choice to make (2 gold-covered humbuckers or hsh): I did utterly silly things.
This was one of them. 🙂
I figured since my current and my new-to-be-built Suhr have lots of visual similarities, that it might be easier for me to picture how my new guitar would look like with gold humbuckers if I taped gold humbucker pictures over the 2 hh in my current guitar.
(I had to cover the single-coil in the middle with my fingers to not get distracted by it).
I know it’s not the most efficient thing I have ever done. 🙂
Blue abalone neck dots.
I wanted blue abalone position dots in the guitar neck to nicely integrate the color of the dots with the body and headstock color.
This is the photo I emailed John and his peeps as an example of which abalone dots I wanted. (The bright blue-ness of the dots is easier to see on the larger, original picture)
Grade 5A Roasted Birdseye Maple Neck
This roasted neck will make this THE most stable, most reliable guitar I ever owned.
I went for birdseye maple because of how great it looks.
There is a lot of debate, confusion, and conflicting theories and opinions about the stability of birdseye maple vs flamed maple.
This leads me to the word: “roasted”.
John Suhr explains the following on The Gear Page
“The wood is treated before anything is cut
The Kilns are specialized, it is a patented wood heat treatment technology, utilizing a natural thermochemical reaction and steam at temperatures of 230-240° C (450° F) without ANY chemical additives.” (John Suhr on www.thegearpage.net/board/showthread.php?t=905747)
More importantly: this wood treatment burns all the humidity and impurities out of the wood, making the guitar neck so stable that you could literally be playing in the Sahara one day and in the Amazon Forest (or hot and humid New York for that matter lol) the day after, and your guitar neck would not have budged the slightest bit.
Scalloped Frets.
It crossed my mind a couple of times to go for a completely scalloped guitar neck.
Scalloping is the process where the guitar builder takes away wood in between the frets, scooping out the wood to create a “U” shape between the frets.
This makes that your fingertips don’t touch the fretboard while playing.
I was concerned though about the possibility of not liking it or about the possibility of having a hard time adapting to the scalloped feel.
Ritchie Blackmore from Deep Purple preferred playing scalloped guitar necks. Yngwie Malmsteen, counting Richie as one of his main influences, is another guitarist who is known to prefer his guitar necks scalloped entirely. John McLaughlin experimented and performed with acoustic guitars with scalloped necks during his time with Shakti.
I ultimately decided to only have the top 4 frets scalloped, which is how Steve Vai has his signature guitars set up.
So Finally: The Spec Sheet of My Dream Guitar.
I put more thought into putting together this list of specs than I ever had done before for previous custom guitars.
I am sure it will pay off.
I can’t wait to get this Lefty Modern.
There is a lot more I can say about this.
I did not even discuss which pickups I chose and why, or why I chose for scraped binding (and what that means), or the custom compound 11-16 radius which is a rarely used option, or the really cool looking reverse headstock I chose for, the implementation of the tremol-no (which allows me to lock up my Floyd Rose), the Drop D-Tuna (which allows me to drop the low E-string down to D with the flick of a switch so to speak), etc.
While there is so much more I could say about this guitar and while there’s a lot more decision-making that went into the creation of this guitar than this 4 episode journal reveals: I had to narrow things down to avoid this 4-part blog post from turning into a novel.
So without any further a due…
It’s out of my hands now.
My work is done. Now it is just waiting till people at Suhr will be done building it.
Of course: there is one more final episode that will be added to this journal.
I will post pictures here of my new guitar as soon as I get it.
It goes without saying that I am utterly anxious and excited like a 6-year old in a toy store.
If you have any questions about creating or building your custom dream guitar: leave a comment here and I will get back to you.
Conclusion
Hit me up anytime at vreny@zotzinmusic.com if you have any questions, or if you would like to book a lesson.
These free lessons are cool, but you will never experience the progress, joy, and results that my students experience in lessons when you’re learning by yourself from blogs and videos.
That is why people take lessons: way better results and progress, much more complete information, exposed to way more creative ideas than you can get from a blog or YouTube video.
There is only so much that self-study can accomplish.
If you want to see amazing results and progress in your guitar playing, buy your first lesson here and get started ASAP.
- 1 Lesson = 75
You’ll impress your friends and loved ones in no time with your guitar playing!
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