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The maj7 Arpeggio 1st Inversion Fingering Before we get into this fingering, make sure that you check last week’s blog first to learn more about the maj7 chord. The maj7 Root Position Arpeggio Fingering. Last week’s blog also talks about how to practice these arpeggios, covering practice chord progressions that you will also use to … The maj7 Arpeggio 1st Inversion Fingering
The maj7 Arpeggio Root Position Fingering. Before tackling the maj7 arpeggio, feel free to have a look first at the major triad arpeggio here: Major triad In-Position Arpeggios The formula of the maj7 chord is: 1 3 5 7 All chords and scales have what you call “a formula”. A “formula” represents the interval pattern … The maj7 Arpeggio Root Position Fingering.
Consonant, Dissonant and Perfect Many music theory books oftentimes only talk about consonant and dissonant sounds, but there is a 3rd harmonic sound that is oftentimes neglected in music theory books. We will discuss these 3 harmonic sounds here. Anytime you play 2 or more notes together, these notes combined create a new sound. We … Consonant, Dissonant and Perfect.
The Gypsy Major Scale (In Position Fingerings) In last week’s blog, we covered the theory of this scale, and which chords you can use it over. You can check that blog out here: The Gypsy Major Scale Single String. You’d benefit from spending some time on the material in last week’s blog before attempting the … The Gypsy Major Scale (In Position Fingerings)
The Gypsy Major Scale (Single String) This scale is also known as the Arabic Scale, Byzantine Scale, and Double Harmonic Scale The interval sequence for this scale is: half step – augmented second – half – whole – half – augmented second – half In the key of C, the notes are: C Db E … The Gypsy Major Scale (Single String)
