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3-Octave Minor Triad Arpeggios. In last week’s blog, we covered the 3-octave major triad arpeggios. You can find that blog about the major triad 3-octave arpeggios HERE This week we’re covering the 3-octave minor triad arpeggio fingerings. Here are the fingerings. (The chord in the below example is Cm, notes are C, Eb, G) The … The 3 Octave Minor Triad Arpeggio Fingerings on Guitar
3-Octave Major Triad Arpeggios. Knowing the 3-octave arpeggio fingerings improve your soloing power. Some of the benefits you get from knowing these fingerings: Improved fretboard knowledge. Immediately finding the notes for any given chord over a 3-octave range. More melodic soloing Great picking technique exercises. Getting unstuck out of familiar positions, with a more horizontal … The 3-Octave Major Triad Arpeggio Fingerings on Guitar
Soloing Over a Minor Blues With m7 Arpeggios (part 3) This is a continuation from last week’s blogs: In Position m7 Arpeggio soloing Am root, Dm 5th & Em b3rd. In Position m7 Arpeggio soloing Am b3rd, Dm b7th & Em 5th. We’ll cover the remaining 2 positions in today’s blog. Starting from Am 2nd … Soloing Over a Minor Blues With m7 Arpeggios (part 3)
Soloing Over a Minor Blues With m7 Arpeggios (part 2) This is a continuation from last week’s blog In position soloing over I- IV- V- in Am. Read that blog first, so all the following will make complete sense. 🙂 This week you’ll solo with the following 3 arpeggios: Am7 arpeggio from the b3rd (C … Soloing Over a Minor Blues With m7 Arpeggios (part 2)
Soloing Over Minor Blues With m7 Arpeggios (part 1) We covered all fingerings for the Am7, Dm7, and Em7 arpeggios in the past week. The m7 Root Arpeggio The Am7 1st Inversion Arpeggio The Am7 2nd and 3rd Inversion Arpeggio When you study the info in the above blogs, you know all you need to … Soloing Over a Minor Blues With m7 Arpeggios (part 1)
