vreny

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Lesser Known Guitar Gods Who Greatly Influenced Me

Lesser Known Guitar Gods Who Greatly Influenced Me While Jeff Beck, Jimmy Page, Jimi Hendrix, Peter Frampton, Mark Knopfler, and Eric Clapton at some point in my beginning years, all were major influences on my guitar journey, there are a significant number of lesser-known guitar gods, who had an equal vast influence on my playing Lesser Known Guitar Gods Who Greatly Influenced Me

How to Spice Up Your Rhythm Playing with 6th Intervals

Spicing Up Rhythm Parts with 6th Intervals A great way to come up with awesome-sounding rhythm guitar parts is combining chord strums with melodic lines in 6ths. You can hear an amazing example of this in John Mayer’s song “Belief” Jimi Hendrix is another guitarist who came up with cool rhythm guitar parts using 6ths. How to Spice Up Your Rhythm Playing with 6th Intervals

How To Play Led Zeppelin’s Custard Pie Note for Note

How To Play Led Zeppelin’s Custard Pie This is a really good song to get started with if you want to get into some Led Zeppelin music. It’s probably one of the easiest to play Jimmy Page guitar parts, yet it sounds really cool. The song is a 12-bar blues, preceded by a 4 bar How To Play Led Zeppelin’s Custard Pie Note for Note

Chord Masterclass: Use Chords You Know to Create 9th Chords

Use Chords You Know to Create 9th Chords An easy way to add a 9th to a chord is by playing the chord in the scale that is up 3 letters from that chord, as a 7th chord. I know this sounds complicated when explained like this, but the examples will clear it all up. Chord Masterclass: Use Chords You Know to Create 9th Chords

Chord Communication, Comping, Voice-Leading, and Some Theory

Chord Communication Whenever you’re in a situation where you need to spell out a specific chord voicing to another musician, you always want to spell out the notes from lowest to highest in order. This might seem “common sense”, yet it’s interesting how often I hear musicians spell the notes out of order (or from Chord Communication, Comping, Voice-Leading, and Some Theory

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