2nd Inversion G7 Arpeggio With b3 Blue Note and Chromaticism.
A couple of weeks ago, we covered the root position and 1st inversion G7 arpeggio fingerings.
Today we’ll cover the 2nd inversion G7, C7, and D7 arpeggio fingerings.
The following videos cover how to play this fingering, where the b3 blue notes are, how to add chromaticism, and how to apply all this to blues soloing.
Conclusion
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